Milan Fashion Week: At Gucci, making fashion wearable - all filed - ls
Designer Sabato de Sarno stuck to his guns in Milan and presented a collection rooted in reality.
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ashion shouldn’t be difficult to understand or wear. That’s the view of Gucci designer Sabato de Sarno, who presented his third womenswear collection at the Triennale di Milano on Friday (Sep 20) across red lacquered floors — the identifiable colour of Gucci under his tenure.
The goal of elevating the everyday has been the designer’s intention since his first collection. And while the reset, following seven years of maximalism at the Kering-owned label, came as a shock to many, de Sarno has stuck to his guns: yes, fashion is for expressing oneself, but dressing up doesn’t have to be so far removed from reality.Â
Casual grandeur” is how de Sarno described the spring/summer 2025 collection in his show notes, later elaborating backstage that this “means wearing [clothes how] you want and like, but in a very easy way”. This encapsulates his approach to design: nothing is too complicated to wear, or to make sense of.
It can be tricky translating that into impactful advertising campaigns or catwalk shows, where visually striking pieces tend to create the more lasting impressions. That might explain why the show space, lit to mimic the hues of a sunset, felt more intimate this time around. Guests — including Daisy Edgar-Jones, sitting next to Dakota Johnson, and Kirsten Dunst, seatmate to Kering CEO François-Henri Pinault — could see the clothes up close.
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On the runway, there were vests and smart trousers accessorised with gold jewellery that wrapped around models’ arms, necks and wrists. It was designed to mimic the handle shape of the Bamboo 1947 bag, an archival style that de Sarno reintroduced this season in lacquer and Plexiglas. De Sarno stated that the bags, not the clothes, were “the star of the show” — an approach that makes sense, given that a majority of the brand’s revenues comes from leather goods and accessories.
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There were also lace slips and Grecian draped dresses paired with knee-high boots, which de Sarno clearly has a penchant for — though this time they were a loafer hybrid, with the brand’s signature horse-bit buckle on top. Heavier textures featured, including suede, denim, leather and full sequinned styles, as did surprisingly vibrant colours such as a neon yellow or fiery tangerine print. Closing the show was a quartet of looks: wide-leg trousers with floor-trailing coats and cardigans with the Gucci monogram. “These new shapes and colours are to be worn in a casual way,” de Sarno reiterated.
Source: CNA
